Comical baroque cantatas and orchestra suites based on the character Don Quixote

Mozart de Duizendnoot, Mozart the Duizendnoot, a narrative concert for children from age 5

“Concerti e affetti”: baroque compositions for two harpsichords by Thomas Tomkins, Nicholas Carlson, Bernardo Pasquini, Giovanni Gabrieli and Johann Sebastian Bach

Complete string quintets of Wolfgang Amadeus Mozart, part 1

Artists in residence in dialogue

live broadcast of the radio program from AMUZ

”Ars Melancholiae”: lute music from Sylvius Leopold Weiss of Johann Sebastian Bach

Complete string quintets of Wolfgang Amadeus Mozart, part 2

Songs from Al-Andalus

The Marriage of Heaven and Hell, music to the texts of William Blake (1757-1827)

Songs of Giulio Caccini & lute compositions of Alessandro Piccinini

Tragic goddesses: French baroque cantatas for soprano

Ludi Musici”: music of Johann Hermann Schein & Samuel Scheidt

Traditional Chinese music

"Universi populi": religious music of the Bohemian middle ages

Early romantic music for mandolin and piano forte: Johann Nepomuk Hummel, Ludwig van Beethoven & Vincent Neuling

Surprising compositions for two string quartets or one string octet

Holy Week in 17th century Italy: works by Domenico Mazzochi, Giovanni Girolamo Kapsberger, Giovanni De Macque, Marcorelli, Girolamo Frescobaldi etc.

Kantata! Stabat Mater, the veneration of the Virgin Mary in the Latin countries

Ein Deutsches Requiem according to Brahms’ own version for soloists, choir, and piano

Kantata! Stabat Mater, the veneration of the Virgin Mary in the Latin countries

Crossing borders

Terres Turquoises

Early romantic string quartets by Beethoven and Schubert

Francis Poulenc and Arthur Honegger

Robert Schumann’s most beautiful song cycles

Bach’s French overture and the French keyboard masters

Saint-Saëns’ refined and surprising chamber music

Heinrich Schütz his Musicalische Exequien

”Donne Barocche”, female composers of the 17th and 18th century: Elisabeth-Claude Jacquet de la Guerre, Barbara Strozzi, Isabella Leonarda and Antonia Bembo Padovani.

Pure voice: forgotten Romantic choral music

The heydays of the classical string quartet: Joseph Haydn, Wolfgang Amadeus Mozart and Joseph Schmitt

Mozart’s divertimenti for six wind instrument players from Salzburg

Bach’s ‘cello suites’ on the shoulder

“Le chant des balles”: juggling with the music of Adrien Le Roy, Alessandro Piccini, Hieronymus Kapsberger etc.

“Le chant des balles”: juggling with the music of Adrien Le Roy, Alessandro Piccini, Hieronymus Kapsberger etc.

Beethoven, Schubert, Schumann: Romantic piano trios

Christmas, the medieval feast of mother and child: 13th- and 14th-century Christmas music

O Nata Lux

Les Goûts-réünis by Jacques-Martin Hotteterre ‘le Romain’ and his contemporaries Arcangelo Corelli, François Couperin, Michele Mascitti and Robert Valentine

Spanish chamber music from the 18th century

“Lumen de Lumine“: Medieval church music from England and Italy in dialogue with the compositions of Gavin Bryars, Sungji Hong etc.

Alfred Schnittke’s Requiem

Johann Sebastian Bach and his teachers Johann Adam Reincken, Georg Böhm and Dietrich Buxtehude

Napoli gothique: Ars Nova and Ars subtilior in Napels, 1320-1400

Hungarian popular music and music by Zoltán Kodály

El Llibre Vermell de Montserrat with arrangements for Cobla

The Haydn Songbook

String Quartets by Ludwig van Beethoven & Hyacinthe Jadin

Schubert’s greatest chamber music

Händel’s Italian cantatas for soprano and ensemble

Miroir des Songes: a visual and musical installation by Kaija Saariaho

Keyboard sonatas by Haydn and Beethoven

Dvoráks chamber music and its Slavic soul

The discovery of amazement: early polyphony 800-1400

The recorder consort at the 16th-century English court: three- to six-part works of Flemish, English and Italian polyphonists

Royall Consorts by William Lawes and others

Songs by Wolfgang Amadeus Mozart

Heinrich Schütz‘ Matthäus-Passion and works from his Geistliche Konzerte, the Cantiones Sacrae and the Geistliche Chormusik

Passion concert

The absolute masters of 18th century keyboard music

Traditional music from the streets of Naples

Buxtehude’s passion cantatas

Visions of the Apocalypse: the end of days in the Bible, the Edda and Beowulf

String quintets by Luigi Boccherini

Domenico Scarlatti and Georg Friedrich Händel pitted against each other again

12 x 12: Ars nova and Karlheinz Stockhausen's Tierkreis

A trip through the sound landscape of historical trombones

Scarlatti and his Italian predecessors

Cantatas and Brandenburg concerti by Johann Sebastian Bach

An Environment

Chamber music on the dividing line between the classical period and early romanticism

Motets by Daniel Danielis, François Couperin and Nicolas Clérambault

Two Jacobs from the Golden Age: music by Jacob Cats and Jacob van Eyck

Lamentations by Orlandus Lassus and Antonio Mogavero

A baroque oratorio on Saint Nicolas

Keyboard masters in Spain

Instrumental music by Dietrich Buxtehude, Matthias Weckmann, Johann Theile and others

A titillating christmas concert between mysticism and traditions

Rebel

ONE.ONLY.ONE

Keyboard concerti and sonatas by Carl Philipp Emanuel Bach

Orlandus Lassus’ last tears

Sekretos de mi alma: Sephardic songs that touch your soul

Bach Brazilian style?

Anonymous tablatures from the Buxheimer Orgelbuch and the Lochamer Liederbuch, 1440-1470

Händel’s Italian cantatas for marquis Ruspoli and cardinal Ottoboni

Dreamy Ottoman music

L’Espagnole

The earliest surviving opera

The murder of abbot Abbo: French and English polyphony from around the year 1000

Le chant de balles: jugglery with music by Hieronymus Kapsberger, Adrien Le Roy and others

Le chant de balles: jugglery with music by Hieronymus Kapsberger, Adrien Le Roy and others

Flemish polyphony and Italian dances from the frst music printings in the world

All’assalto! A battle (for love) in the Spanish, English and Italian baroque

The London version of Brahms’s Deutsches Requiem

Hainaut’s musical heritage

América étnica: Two centuries of South-American music

Mendelssohn and Spohr for eight string instruments

Crux splendidior: The Holy Week in convents

The dawn of new Italian music: brilliant sonatas for cornet and basso continuo

The sound of silence

Heinrich Schütz’ Christ triptych

Metamorphosis

Opening concert: In the beginning there was chaos

Polyphonic paraphrases

The green snake dragon

Variations & variants

Big in Japan

The times are a-changin

Apollo e Dafne

And then there was Bach

Russian-Orthodox choral music

Suivez le guide / Volg de gids / Follow the guide: a watch-recital, also for the young and for bird-lovers

Sound from the reed

Sound from the reed

La rose des vents: early-baroque motets and cantatas for soprano and tenor

Sufi songs: harmony of the spheres

A voice for three cultures: music from ancient Andalusia

Between Heaven and the Elysium: Roman masterpieces by Archangelo Corelli, Giuseppe Valentini and Georg Friedrich Händel

Farewell, Italia! John Dowland’s imaginary Italian journal

Trios for chalumeaux and basset-horn by Wolfgang Amadeus Mozart, Christoph Graupner, Franz Xaver Süssmayr en Georg Druschetzky

Romantic choral songs by Robert Schumann, Johannes Brahms and others.

With endless tears: song by Henry Purcell, Henry Lawes, Robert Johnson and others

Echo de Paris: Parisian love songs of the 17th century

The string sextets of Johannes Brahms

In light of History

La istoria de Purim: Jewish music and poetry in renaissance Italy

Gioachino Rossini’s Petite messe solennelle

A peculiar genius: lute songs by John Dowland and Henry Purcell

French, German and Jewish music of the Plague days

Concerti of Johann Sebastian Bach

The apotheosis of beauty: chamber music by François Couperin and Georg Philipp Telemann

Sounds from the shadow

Kurdish, Persian and European music

Polyfolie

L’Espagnole

Bach en balles

Lecture Recital

Le chant de balles: jugglery with music by Hieronymus Kapsberger, Adrien Le Roy and others

Degustation Concert

Lecture Recital

Presentation

Lecture Recital

Semper Dowland, semper dolens

Lecture recital

Lecture Recital

Alla caccia: aria’s and villanella’s of Girolamo Kapsberger

Mystics, minstrels and masters of the organum in 13th-century Brabant

Concerti da camera of Antonio Vivaldi

Bach, Handel and Telemann, the pillars of German high-baroque

All cello suites of Johann Sebastian Bach - part 1

All cello suites of Johann Sebastian Bach - part 2

Religious meditations by abbé Franz Liszt

Händels first oratorium

Ad delectationem ducis: musical treasures of the Burgundian era

Cappella Sistina [FESTIVAL]

La luz de España: Morales and the papal chapel

Matins

Complete liturgical day cycle

Lauds

Small hours

Mass

Vespers

Compline

Recently discovered: works by the Renaissance composer Ghiselin Danckerts

Two day course: polyphony for dummies

The Medici Codex

The unheard Missa Papae Marcelli

Music for Cardinal Pietro Aldobrandini

Scratches in the wall: Josquin des Prez and the papal chapel

Thematic lecture

Silver trombones for the pope

Interview by Herman De Winné

The Great Schism

Media vita in morte sumus

Two day course in art history

Musici Segreti: the pope’s elect

Michelangelo in sound

Tomás Luis de Victoria: Lamentations

Il Tedesco del Papa

Two masses from the Palais des Pâpes

Finale International Young Artist’s Presentation - Historical Wind Instruments

Miserere: Allegri versus MacMillan [WORLD PREMIERE]

Music for Pope Leo X

Afternoon of study on the future of ‘early music’

La Vita Humana

Haydn orchestral

Lachrymae: classical music through 20th-century eyes

Vivaldi’s sonatas for cello

The Beguine procession

The Orpheus of Amsterdam: eyes tear up, lips kiss, hearts break

Press conference and CD presentation

Everlasting bliss: Sweelinck’s psalms

Jan Pieterszoon Sweelinck: “Stadtmusicyn” and “Organistenmacher”

Ain neue Lid: when Yiddish was young

International colloquium

Polyphony with Jewish Roots

Jazz Requiem

A forgotten instrument sounds anew: Haydn’s baryton

Brewaeys 50 [WORLD PREMIERE]

Young musicians get busy with Bach’s opus ultimum

An Italian oboist conquers England: Giuseppe Sammartini

D’Amore e tormenti

The birth of opera buffa: La Serva Padrona

BL!NDMAN plays Buxtehude

Im Sommer Eis – im Winter Feuer

Lyrical Chamber Music of Mendelssohn and Brahms

The rediscovery of heaven

Old Syrian Songs

Two lives [MUSIC THEATRE]

Bach’s keyboard concerti on Silbermann

Flute concerti Naples 1725

Mother and Child: a meditative Christmas

The Dark is my Delight: English consort music ca. 1600

Four ringleaders in London

Traverser: traverso versus the transverse flute

Te Ros! [MUSIC THEATRE]

Baroque meets modern

Dialogus: German baroque cantatas

Chichester psalms

HMS Oriana [MUSIC THEATRE]

Virtuoso violin sonatas from Austria

Farewell and solace: Schütz’s Musikalische Exequien

Abendroth

Bach’s sonatas and partitas

Sacred songs from Dalmatia

The Secret of Boccherini

Luigi Boccherini [FESTIVAL]

Session I: Saturday 11 a.m. - 3 p.m.

Complete marathon

Session II: Saturday 3 p.m. - 7 p.m.

Session III: Saturday 7 p.m. - 11 p.m.

Session IV: Sunday 11 a.m. - 3 p.m.

Session V: Sunday 3 p.m. - 7 p.m.

Session VI: Sunday 7 p.m. - 11 p.m.

Notes pour moi ceste estampie: Dances from the 14th century

Song of the Sibyl

Corelli Transalpino

Bach’s Clavier-Übung

The subtlety of father and son Bach on gamba and keyboard

The cradle of music for wind ensemble

Schubert à quatre mains

Cymatics, or how sound becomes visible [WORLD PREMIERE]

One hundred years of keyboard repertoire on the first Steinway

Prometheus unbound

Who was Anthony Poole?

Jesus’s final words by Joseph Haydn

Bach’s St. John Passion on Maundy Thursday